Being a city with a soul, the grandeur of unshakable cultural ethos of Delhi had been reverberating in the air across centuries from the inception of Indraprastha to the present. Even though she was lacerated by incessant plunders, devastating wars, shifting capitals and changing rulers, the cultural vibe of Delhi remained fit as a fiddle, radiating the grandeur of a thousand suns rising in all its splendor. Delhi is, therefore, a city with unparalleled cultural eminence, unsurpassable glory and more importantly, an indomitable spirit.
Owing to the colossal historical backdrop of Delhi, this article attempts to spotlight the indomitable cultural grandeur of the city confined to a brief timeframe of fifty years from 1675 to 1725. However, one may note that this particular time frame is purely abstract and open-ended. None of the limits coincides with any major historical event nor the reigning period of any emperor and hence necessitates the need of referring to some period before or after the pre-designated timeframe.
The designated timeframe witnesses the rule of Aurangazeb, Bahadur Shah I, Jalandhar Shah, Farrukhsiyar, Akbar II and Muhammad Shah. Nonetheless, the timeframe fails to incorporate the entire reign of Aurangazeb and Muhammad Shah and therefore, this article tends to briefly mention those periods even though it’s beyond the scope of the predetermined timeframe.
On a brief analysis of Aurangazeb’s reign, one may conclude that his regnal period witnessed mass cultural genocide prima facie. Firstly, he banned music from the court for the want of time for festivity amidst his surging devotion for duty. Secondly, being a hardcore proponent of shari’a, he believed that the content of poetry was immobilized by Sufi mysticism and considered them hawkers of duplicity. Finally, he believed that paintings were un-Islamic and banned it and withdrew all forms of royal patronage offered to artists. One may note that Islamic law forbids the depiction of living creatures in art as it believes that the power of creation safely vests with God.
However, on careful analysis of the period, Delhi emerged as an exquisite centre for thriving Indo-Mughal culture braving the ravages of Aurangazeb’s antics. Even though Aurangazeb banned music from the court, ceremonial music (naubat) continued to exist. Literateurs and artists now looked upon the members of the harem and the leading nobles for patronage. To illustrate, Prince Azam extended his patronage to a plethora of poets and artists.
Soon after Aurangazeb withdrew royal patronage for art, music and poetry, many artists left Delhi in search of patronage and imperial attention. Nonetheless, one may note that many of them were hesitant to leave the premises of the city which had honed their skills and supported their livelihood. One of the many poets who were unwilling to leave Delhi was Bedil, a close associate of Aqil Khan ‘Razi’, the venerated Governor of Delhi. He spent thirty-six years of his life in the city and was deeply influenced by Sufi mystic poetry. Moreover, he trained a school of poets in Delhi and he was deeply revered to an extent that an annual urs to his grave began after his death in 1720 where the poets were expected to read out their recent compositions.
Jahanara with her handsome allowance fixed by Aurangazeb continued extending patronage to a school of poets, musicians and artists. Even after her death, her legacy was inherited by Zeb-un-Nisa and Aqil Khan ‘Razi’ and they emerged as cultural patrons of Delhi, supporting the baluster slackened by Aurangazeb.
However, Aurangazeb imprisoned Zeb-un-Nisa for supporting rebellious Akbar nonetheless she was granted great sort of freedom and a handsome allowance in confinement and at the later phase of her life, she set up an academy that aimed at incubating and honing the skills of artists.
In addition to that, the celebrated Chishti order was revived by Sheikh Kalimullah and Jahanara contributed to the growth and revival of the same towards the later stages of her life. Delhi now came to be known as the ‘metropolis of liberalism’ and towards the end of the seventeenth century, two rival centres emerged for the development and propagation of cultural values- Aurangabad that stood for Orthodoxy, theology and Islamic studies and Delhi that resonated with Liberalism and Sufism.
One may note that Delhi was deprived of the imperatorial presence for about thirty-three years from 1679 when Aurangazeb left for Aurangabad. Bahadur Shah I was in power till 1712 but he never entered Delhi in his capacity as the Emperor. However, this never meant a depreciating political legacy of the city. Firstly, Asad Khan, the ex-Wazir of Aurangazeb was elevated to the position of the Governor of Delhi and this appointment of the most senior officer as the Governor of Delhi exemplifies the political legacy of the city. Secondly, Bahadur Shah ordered that none shall leave Delhi or none shall visit Delhi without his permission. Thirdly, the Red Fort continued to be a formidable macrocosm of legitimate power which can be comprehended by the fact that the newly appointed Governor of Lahore sought permission to visit the Red Fort before assuming his office.
Even though Delhi was deprived of the imperial presence, it thrived as an important centre for trade, commerce, manufacture and culture. Vestiges of Shah Jahan’s artistic inclination failed to meet a sudden death. Patronage continued to be extended to artists, poets and scholars, both Hindus and Muslims by Dara Shikoh and by the mid-seventeenth century, Delhi emerged as a significant cultural centre. Delhi reclaimed its political importance with the advent of Jalandhar Shah in 1712. However, from 1712 to 1759 Delhi guarded the gates of a rapidly diminishing empire. With declining monarchial prestige and dislodged nobility supplemented by food insecurity, inflation, epidemics and famines with necessary provisions being confined to imperial coffers, Delhi witnessed an era of surging turmoil and insecurity. Merciless executions, imprisonment and dispossession of nobles who had supported a rival prince laid the foundations of catastrophic factional warfare in Delhi.
Declining monarchical prestige was amplified by the act of Jalandhar Shah as he elevated Lal Kunwar coming from a family of musicians to the status of a queen and such elevations were considered undesirable for nobility. The emperor spent his time with her and even got drunk in public. The emperor seemed to be reduced to the position of a King in the game of Chess being manipulated by the entire clan of musicians. This paved the way towards social instability where the emperor lost the support of the nobles, landlords and theologians. Farrkukhsiyar also failed to restore the lost prestige of Mughal nobility and he was widely despised for his association with a low-born homosexual.
However, amid such adverse insecurities and catastrophic conflagrations, Delhi remained to be a city with an indomitable spirit. Firstly, even though the Emperor was reduced to the status of a restricted monarch figurehead, the subjects considered him as the guardian of social order and justice. Even the Sayyid Brothers couldn’t attempt a direct consolidation of political power and had to support Farrukhsiyar to the throne. Secondly, albeit the political power of the Mughals were rapidly diminishing with the snowballing Maratha power and semi-independent principalities like Awadh, Bengal and Hyderabad, the Mughal Emperor was seen as a nominal head and a legitimate authority to an extent to which the Marathas and even the British had to approach them at a later stage for political legitimacy.
Despite the social instability of the period under consideration, the emergence of a small elite class with both means and desire to offer patronage ensured the evergreen perpetuity of cultural activities. Delhi remained to be the favourite halt of nobles and money-lenders who had invested in building markets, lending money for interest or trade aspiring for a supplementary income and this made Delhi one of the mammoth financial centres in India. In consequence of the same, many businessmen, manufacturers, scholars, religious leaders and elites settled in Delhi and offered patronage to cultural activities and thus, Delhi remained to be culturally bouncy even though it faced adverse calamities. Delhi was, is and will be a city with an indomitable spirit and unsurpassable glory.
One of the biggest loot in the history of India that handicapped Delhi was the invasion of Nadir Shah in 1739. On one hand, the inexpensive Peacock Throne and the Kohinoor were looted and on the other, the repercussions of this loot incarnated as anarchy and insecurity among both the rich and the poor alike for a period of twenty years from 1740-1760. However, this event was also easily overcome within no time as the looted wealth was mostly hoarded ones, not in circulation and by and large it just accounted for a very small part of gold and silver in circulation. Supplemented by a favourable foreign trade, the indomitable spirit of the city overcame the backlash of the loot with ease and cultural life was restored.
The period under consideration is undoubtedly venerated for flourishing music and literature. Whereas Persian was used by the upper class, Urdu continued to be the language of the masses. The Urdu poetry incorporated Persian and Hindi styles and represented an integrated culture.
Even though she was wounded by adverse calamities in the period under consideration, Delhi remained to be culturally vibrant, alive and breathing. In the fifty years from 1675 to 1725, she was left without an Emperor for thirty-three years and after the advent of Jalandhar Shah, she witnessed social instability supplemented by inflation, epidemics, famine and factional warfare. She was much better off in the absence of the monarch as the later monarchs were downgraded to the status of a restricted monarch figurehead backed by a myriad of misfortunes.
Delhi surpassed all her misfortunes with her indomitable spirit. Banning of cultural activities, absence of the emperor, incapable rulers, social unrest, epidemics and famines, inflation, diminishing moral values, factional warfare and plunder miserably failed to amend the cultural landscape of the city. Although Delhi was overshadowed in size, economy and cultural activities by Lahore and Agra as far as the predetermined timeframe is concerned, Delhi was an unparalleled metropolis in the eyes of its people and it remains to be so and it will remain so for the times to come.