” Imagination will often carry us to worlds that never were. But without it we go nowhere”. – Carl Sagan
Imagination is not only fun but also liberating. It liberates us from the gravity of what we know as real and as possible, opening up avenues that never existed before. Imagination leads us to better and better versions of ourselves just like a high-definition TV is clearer, crisper and more dynamic version of the first black and white TVs from last century. How about we take on the activity of lifting all restrictions and all constraints on who we are and what is possible for us and create a brand new vision for our lives? This does not mean we need to drop all that is great about ourselves and start from scratch
. We just take ourselves as we are and where we are and build from there. Let’s see if new realizations and discoveries about our inner desires and dreams are revealed to us. We can start there. From that, we can cherry-pick and with complete attention design the vision we want for ourselves and create goals to bring us there. Let your imagination give you wings.
In short, to “Imagine”, is to reason. Imagining is to the mind, what beating is to the heart, a cavalier, incognizant, untamable reflex; so why write an essay on the basis of such a monotonous concept, the answer is simple, I do not intend to. My favorite word is, “Imagination”. You see whilst to imagine is to take a step to preserving life, it is imagination that qualifies us to imagine. People fear the feral nature of the mind, because its capacity is endless, it encompasses every feeling ever felt, every thought ever had, and yet still opens its doors to the unknown.
The untrained mind is a beautiful thing, because it holds no prejudice, it is saturated with one’s most sincere and candid beliefs, it is so true unto itself that one must solicit the mind to liberate the words to speak. If the makings of the mind could be projected for all to see, a whole new life would be born, broadening the spectrum from romantic to sinister idealism, with all in between having their essence crudely accentuated.
Though it is fascinating to delve into the depths of the mind, “Imagination” is to each its own, and for the absence of an oral medium, we must make our peace with the words we speak. “Imagination” in its truest, most organic form, is too innocent and naďve to feature in reality. If there is a world outside the one we live in, then let it be a creation of the mind, for in the words of John Lennon “You may say I’m a dreamer, but I’m not the only one”.
The importance and influence of imagination on the creation and critique of literature varies between and within various artistic eras. Originally seen as an aberrant function of the mind, imagination was subservient to the powers of reason and order. Art involved mere replication of the real, a craft rather than an unique act of creation. Beginning as early as Aristotle, however, human imagination has been linked to the power and value of art. The ascendancy and, in some eras even superiority, of imagination as a potent mental faculty gave birth to new critical enterprises bent on articulating the manner, motivation, and merit embedded in art and the artistic process.
Imagination is a natural structure of the mind which must be trained or attuned to appreciate the greatness of art, to develop a meaningful standard of taste. Where Hume addresses the critic, Johnson’s attention is fixed on the writer and the duty of each writer “to increase prudence without impairing virtue”. Imagination is both the key and the obstacle to Johnson’s moral vision of art. In order to inspire an audience toward goodness, an artist must possess a fertile and ever expanding imagination. “Whatever is beautiful, and whatever is dreadful, must be familiar to his [the poet’s] imagination… for every idea is useful for the enforcement or decoration of moral and religious truth”.
Imagination is good when its powers are given direction, moral purpose. Johnson assumes a somewhat utilitarian attitude toward imagination; the value of imagination is dependent on its usefulness in attaining or helping others to attain virtue. Unchecked, imagination promotes virtue and vice ambivalently. Imaginative freedom must only exist within the bounds of an imminently rational moral code. Romantic critics turn the Eighteenth Century division between reason and imagination to their own poetic and critical purposes.
Imagination is a creative power that is necessary for inventing an instrument, designing a dress or a house, painting a picture or writing a book. George Bernard Shaw. Imagination is not only fun but also liberating.
Imagination, also called the faculty of imagining, is the ability of forming mental images, sensations and concepts, in a moment when they are not perceived through sight, hearing or other senses. Imagination is the work of the mind that helps create. Imagination helps provide meaning to experience and understanding to knowledge; it is a fundamental facility through which people make sense of the world, and plays a key role in the learning process. Imagination is the faculty through which we encounter everything. The things that we touch, see and hear coalesce into definite forms through the processes of our imagination.