Love and Gelato: Critique

Most binge watchers would have guessed it right. Yes, it is the latest movie released on Netflix all about Lina a socially awkward and a control freak who travels to Italy all alone to fulfill her mother’s last wish as she wished her daughter to retrace her roman holiday.

Lina (Susanna Skaggs), the main character of the romantic drama “Love & Gelato,” recently lost her mother to cancer. She is required to carry out her mother’s final desire before enrolling in her first year of university at the Massachusetts Institute of Technology. Her mother’s journey to Italy in her childhood had a profound impact on her, and she asks Lina to do the same. Although conservative Lina is capable of worrying about everything. She graciously accepts to devote her summer in Rome.

Unavoidably, Lina is captivated by the city’s beauty—its cuisine, its landscapes, and—most importantly—its attractively enticing boys. Alessandro (Saul Nanni), a blue-eyed rich boy headed for a Boston fall, captures her attention. A kind and hospitable chef named Lorenzo (Tobia De Angelis) shows interest in her square peg in round hole and Alessandro turns out to be too worth a try. Lina discovers motivation in Italy with the help of her mother’s old friends and Lorenzo, even daring to look for her Italian father, the man her mother left behind.

The film is filmed in an unremarkable manner to match the story’s depiction of the actors’ uncreative naiveté courtship. Brandon Camp, the film’s writer and director, chooses brightly oversaturated colors, a humorous approach. It’s the type of movie that is more concerned with the allure of an excellent Italian dialect than it is with coming up with creative—or even very beautiful—ways to capture Rome on screen.